And I said I know it well
That secret that you knew but don't know how to tell
It fucks with your honor and it teases your head
But you know that it's good girl
'Cause its running you with red
Then the snow started falling
We were stuck out in your car
You were rubbing both of my hands
Chewing on a candy bar
-
My name is Lilith Evelyn Driscoll and I was born in Raleigh, North Carolina on an ashy November morning. My earliest memory was of a house fire on an early August morning, when I almost died but instead survived with only one eye to tell the tale, so to speak. I have chronic insomnia. And I eat the flesh of young children and drink the blood of young men.
-
Samael is sitting in the driver's seat, crushing ice from a styrofoam cup. He's huddled in his coat, which his small body is drowning in. I climb into the Jeep, the slipshod vehicle dipping underneath the addition of a second party's weight, and wish to God that his car, for once in its pitiful life, would work right, but to no avail the heater will not turn on and we are both stuck waiting in the parking lot on a freezing December night in a shitty red Jeep.
"Lilith," he says, acknowledging me with a severe nod. His eyes are still trained on the house that we are parked across.
"Jesus, Parker, can't you do something about your car," I complain.
"No," he says, his face briefly flickering with a melancholic expression. He sighs and tenderly pats the dashboard. "There's nothing to be done for my little old Huxley anymore. She's got a DNR."
I snort and then cup my hands and blow my breath into them, hoping to revive the sensation in my stiffening fingers. No dice. I look out the window and squint my eyes.
"Nobody's home, Parker," I say again, tightly parsing my words out. "Nobody. Is. Home. Parker."
"I. Know. That. Lilith." Parker monotonically responds. "Don't. You. Think. I. Know. That?"
I slump into my seat and close my eyes, rubbing my temples. If only I could tell Samael how pointless this was. That the killer he was looking for was right underneath his delicate small nose, waiting for him, waiting for him to recognize who I am, what I am. But he doesn't. Or he won't. He is too caught up in the nether regions of the normal world, where people with masks like me are nothing more than family members and friends. Neighbors with fleshy pecan pies and blood red Jell-O squares topped with ivory whipped cream. People who you pass by everyday of your life without ever realising that they are monsters until one, one who finally relinquishes his control, is caught. We never make mistakes, but sometimes we want too much, want to be found, to be seen. I want to be seen.
"Parker," I murmur at last, "Parker."
He hmms and after a while looks at me and asks, "What?"
"Come on," I say, "let's go. It's got to be ten degrees tonight. I can't even feel my face anymore."
His face softens and then, a turn of the ignition, the glowing dashboard, and we are turning out of the neighborhood, changing lanes on a busy freeway, making our way to somewhere, anywhere, where I will not feel the temptation to reveal myself. To give in to my desires to be seen. Samael has to find out himself. I won't, or I can't more aptly, show him my true nature. But, anyway, he must unconsciously sense it. He must, on some part, see that we are alike in ways which are profoundly and yet naturally unsurprising.
We are the dual sides of a coin.
That secret that you knew but don't know how to tell
It fucks with your honor and it teases your head
But you know that it's good girl
'Cause its running you with red
Then the snow started falling
We were stuck out in your car
You were rubbing both of my hands
Chewing on a candy bar
-
My name is Lilith Evelyn Driscoll and I was born in Raleigh, North Carolina on an ashy November morning. My earliest memory was of a house fire on an early August morning, when I almost died but instead survived with only one eye to tell the tale, so to speak. I have chronic insomnia. And I eat the flesh of young children and drink the blood of young men.
-
Samael is sitting in the driver's seat, crushing ice from a styrofoam cup. He's huddled in his coat, which his small body is drowning in. I climb into the Jeep, the slipshod vehicle dipping underneath the addition of a second party's weight, and wish to God that his car, for once in its pitiful life, would work right, but to no avail the heater will not turn on and we are both stuck waiting in the parking lot on a freezing December night in a shitty red Jeep.
"Lilith," he says, acknowledging me with a severe nod. His eyes are still trained on the house that we are parked across.
"Jesus, Parker, can't you do something about your car," I complain.
"No," he says, his face briefly flickering with a melancholic expression. He sighs and tenderly pats the dashboard. "There's nothing to be done for my little old Huxley anymore. She's got a DNR."
I snort and then cup my hands and blow my breath into them, hoping to revive the sensation in my stiffening fingers. No dice. I look out the window and squint my eyes.
"Nobody's home, Parker," I say again, tightly parsing my words out. "Nobody. Is. Home. Parker."
"I. Know. That. Lilith." Parker monotonically responds. "Don't. You. Think. I. Know. That?"
I slump into my seat and close my eyes, rubbing my temples. If only I could tell Samael how pointless this was. That the killer he was looking for was right underneath his delicate small nose, waiting for him, waiting for him to recognize who I am, what I am. But he doesn't. Or he won't. He is too caught up in the nether regions of the normal world, where people with masks like me are nothing more than family members and friends. Neighbors with fleshy pecan pies and blood red Jell-O squares topped with ivory whipped cream. People who you pass by everyday of your life without ever realising that they are monsters until one, one who finally relinquishes his control, is caught. We never make mistakes, but sometimes we want too much, want to be found, to be seen. I want to be seen.
"Parker," I murmur at last, "Parker."
He hmms and after a while looks at me and asks, "What?"
"Come on," I say, "let's go. It's got to be ten degrees tonight. I can't even feel my face anymore."
His face softens and then, a turn of the ignition, the glowing dashboard, and we are turning out of the neighborhood, changing lanes on a busy freeway, making our way to somewhere, anywhere, where I will not feel the temptation to reveal myself. To give in to my desires to be seen. Samael has to find out himself. I won't, or I can't more aptly, show him my true nature. But, anyway, he must unconsciously sense it. He must, on some part, see that we are alike in ways which are profoundly and yet naturally unsurprising.
We are the dual sides of a coin.
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